IN THE HEAT OF THE NIGHT (1967)

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D: Norman Jewison (Sidney Poitier, Rod Steiger, Warren Oates, Lee Grant)

PG, C-109m, USA

Best Picture, Best Actor (Steiger)

Tagline: "They got a murder on their hands. They don't know what to do with it."


After being falsely accused of murder, a black detective (Poitier) reluctantly joins forces with a bigoted town sheriff (Steiger) to catch the real killer in small-town Mississippi. What transpires next is a clash of wills.

Yes, the Gillespie character is a bigot, but unlike most of his fellow rednecks, he had the capacity to change. He has a temper, but isn't cruel for the sake of being cruel. He's a product of his environment. I suspect he may have been a KKK member in his youth, but age and being surrounded by idiots might have made him go, "Hmmm..."

Virgil Tibbs (Poitier) is awesome, but even he isn't perfect. Like the other cops, he wants a person to be guilty, simply because he doesn't like them. He's as prejudiced as Gillespie, but more cool-headed, which is a very good thing. His feelings get in the way, which leads to a potentially deadly encounter during an interview with a witness. He can be arrogant, especially to the town residents, simply because his quiet confidence and calm gaze is so unsettling. Sidney Poitier is so perfect here -- dignified, with only a flicker of rage in his eyes. I can't imagine anyone else in the role (there was a brief TV series starring Carrol O'Connor (Archie Bunker) as Bill Gillespie, but I can't remember who played TV Tibbs. Denzel Washington could probably do his own interpretation, but it just wouldn't be the same.

Don't let the dated cars and clothes fool you. Some things have changed for the better, but human nature and bigotry has always been an uneasy partnership. This film works as a police thriller, character study and social commentary.